At ANACON Technology we apply knowledge of the biofeedback mechanism and control systems theory to design guitar amplifiers that give the player full control over his tone and which are not limited to just a few flavors of one characteristic tone.
I have always wondered why most vacuum tube guitar amp makers, be they big names or small boutique amp builders - with a small number of noteworthy exceptions - persist in using same old circuits over and over again. Of course, changing a component value here and there and adding or removing a gain stage does have a more or less significant effect on the tone and sound but still leaves the guitarist with the same original set of controls and their inherent limitations.
What if we:
- approached the task of designing a vacuum tube guitar amplifier from scratch?
- began by identifying the key parameters defining the tone and sound?
- could make each of these parameters adjustable?
- gave the guitarist full control over these parameters?
Wouldn't it make it easier to close the loop so that what the player hears in his mind and what reaches his ears are the same? - Well, about 4 years ago I decided to design a guitar amplifier that would do just that.